28 years ago, I gave up a potentially promising career in international public law for a course in decorative painting.
I swapped my working girl’s trouser suit for a painter’s blouse. I spent an exciting year in a workshop in Stalingrad, where I learned about faux wood, faux marble, trompe l’oeil, patinas, tadelaks, coatings and ancestral traditional recipes. Until I arrived in New Caledonia in June 2007, and in parallel with my training as a yoga teacher, which lasted 3 years, I worked and created on walls and furniture.
Since July 2022, life has put me back into the creative movement, adding that essential touch I didn’t have before: Sacredness, intuition, abandonment
During the chakradance art therapy circles I ran in Noumea, to prevent the dust from the pastels settling on the floor, I had the idea of creating thin support plates with a flower of life drawn on them, which would charge and support the participants’ creations.
From these simple supports, I received the message to continue, to create plates of sacred geometry so that this energy of harmonisation and regeneration could flow into as many homes as possible. As the months went by, I rediscovered my ease and my technique in a totally intuitive way, simply letting myself go through it.
By creating the Golden Flow DNA, my hand and my entire Being are at the service of the Divine, wherever I may be on the planet.
“Art was nothing other than the contemplation of the world penetrated by grace, illuminated from within. The function of art was to reveal the presence of God behind every object.” Hermann Hesse